| biography |
| Along
with Debussy, Maurice Ravel (1875-1937) defines French impressionism
in music, although he is more classical, more ambiguous, and more
beguiling than his older compatriot. His orchestration is colorful
and invariably surprising; he is witty and innovative without ever
being academic, and his music is always a joy to hear. |
| recommended
recordings |
| |
Ravel:
Bolero, etc; Debussy: Images / Munch, Boston Symphony
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Composer:
Maurice
Ravel, Claude
Debussy
Conductor: Charles
Munch
Ensemble: Boston
Symphony Orchestra
Bmg/Rca Victor - #61956 / March 15, 1994
Click
here for more information
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| Charles Munch was the opposite of the "intellectual"
school of French conductors, as typified today by Pierre Boulez.
He was a completely spontaneous artist, which is what made
him the great Berlioz conductor of our time, and literally
anything could happen when he got up onto the podium. It follows
then, that his Ravel is not going to be the sort of hyper-precise,
calculated sort of interpretation that many fans of the composer
expect, but it will be exciting as hell. These three pieces
are shrewdly chosen; they are the composer's most extrovert
works, and Munch pulls out all of the stops in his performances
of them. A classic recording, and a great memento of a unique
artist. --David Hurwitz |
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|
Ravel:
Daphnis et Chloe Complete / Munch, Boston Symphony
|
Composer:
Maurice
Ravel
Conductor: Charles
Munch
Ensemble: Boston
Symphony Orchestra
Bmg/Rca Victor - #61846 / August 10, 1993
Click
here for more information |
|
Ravel's magnificent "choreographic symphony" was
the musical preserve of two great French conductors, Pierre
Monteux and Charles Munch. Munch recorded the work twice for
RCA, and this is the earlier of his two versions. Neither
is better than the other. To the composer's customary brilliance
of sound, Munch added an almost physical urgency and impact.
Listening to this colorful performance, you can really hear
stuff happening from one moment to the next. The actual plot
is irrelevant...Read
more
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Great
Pianists of the 20th Century - Martha Argerich - Gaspard de
la nuit |
Composer:
Johann
Sebastian Bach, Franz
Liszt, et al.
Conductor: Claudio
Abbado, Riccardo
Chailly
Performer: Martha
Argerich
Ensemble: London
Symphony Orchestra, Berlin
Philharmonic Orchestra, et al.
Uni/Philips - #456700 / October 20, 1998
Click
here for more information |
|
An encounter with the searing artistry of Argentinean pianist
Martha Argerich, as her fiercely loyal following attests,
can resemble a conversion experience. Like her close friend
Nelson
Freire, Argerich takes a natural-sounding, unstudied virtuosity
merely as her starting point, so that the most fearsome technical
challenges emerge as thrillingly musical ones, as well.
In Argerich's landmark account of the Ravel triptych Gaspard
de la Nuit, for example, you're almost tempted to forget
what an...Read
more
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Ravel: Piano Concerto; Rachmaninoff
/ Michelangeli, et al |
Composer:
Maurice
Ravel, Sergei
Rachmaninov
Conductor: Ettore
Gracis
Performer: Arturo
Benedetti Michelangeli
Ensemble: Philharmonia
Orchestra
Emd/Emi Classics - #67258 / March 14, 2000
Click
here for more information |
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This CD is an all-time classic. Michelangeli had almost
unlimited technique, and here he puts it to good use. The
Rach 4 has probably never been equalled, while the Ravel
is one of a few great recordings (Argerich is another).
Unfortunately, once you start noticing how terrible and
out of time the triangle is (it's especially prominent in
the Ravel) you just want to travel back through time and
strangle the percussionist.
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Ravel:
L'Enfant et les Sortilèges / Previn, London SO
|
Composer:
Maurice
Ravel
Conductor: André
Previn
Performer: Elizabeth
Futral, Juanita
Lascarro, et al.
Ensemble: London
Symphony Orchestra, New
London Children's Choir
Uni/Deutsche Grammophon - #457589 / July 20, 1999
Click
here for more information |
|
Don't be fooled by this disc's cartoonish cover. With its
libretto by Colette and music by Ravel at his witty, jazzy
peak,L'Enfant et les Sortilèges is hardly kiddie
stuff, even if it is about a wicked child who has an epiphany
when the inanimate objects he abuses begin talking back. It's
an ideal CD opera, since it demands a fantastical staging
that's best left to the imagination, and this new recording
is among the best available. Surely, it's sassier, broader,
and funnier than Previn's...Read
more
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| works
& recordings |
- A
la manière de Borodine
- A
la manière de Chabrier
- Ballade
de la reine morte d'aimer
- Ballet(s):
Excerpt(s)
- Berceuse
sur le nom de Fauré
- Boléro
- Boléro:
Excerpt(s)
- Boléro:
Finale
- Chanson
du rouet
- Chansons
a capella (3)
- Chansons
a capella (3): no 1, Nicolette
- Chansons
a capella (3): no 2, Trois beaux oiseaux du Paradis
- Chansons
a capella (3): no 3, Ronde
- Chansons
madécasses
- Chansons
madécasses: no 1, Nahandove
- Chansons
madécasses: no 2, Aoua
- Chansons
madécasses: no 3, Il est doux...
- Chants
populaires
- Chants
populaires: no 1, Chanson espagnole
- Chants
populaires: no 2, Chanson française
- Chants
populaires: no 3, Chanson italienne
- Chants
populaires: no 4, Chanson hébraïque
- Chants
populaires: no 5, Chanson écossaise
- Concerto
for Piano in G major
- Concerto
for Piano in G major: 1st movement - Excerpt(s)
- Concerto
for Piano in G major: 1st movement, Allegramente
- Concerto
for Piano in G major: 2nd movement, Adagio assai
- Concerto
for Piano in G major: 3rd movement - Excerpt(s)
- Concerto
for Piano left hand in D major
- Concerto
for Piano left hand in D major: Excerpt(s)
- Daphnis
et Chloé
- Daphnis
et Chloé Suite no 1
- Daphnis
et Chloé Suite no 2
- Daphnis
et Chloé Suite no 2: Danse générale
- Daphnis
et Chloé Suite no 2: Excerpt(s)
- Daphnis
et Chloé Suite no 2: Lever du jour
- Daphnis
et Chloé Suite no 2: Pantomime
- Daphnis
et Chloé: Excerpt(s)
- Don
Quichotte à Dulcinée
- Don
Quichotte à Dulcinée: no 1, Chanson romanesque
- Don
Quichotte à Dulcinée: no 2, Chanson épique
- Don
Quichotte à Dulcinée: no 3, Chanson à boire
- Frontispice
for 2 Pianos 5 hands
- Gaspard
de la nuit
- Gaspard
de la nuit: 1st movement, Ondine
- Gaspard
de la nuit: 2nd movement, Le gibet
- Gaspard
de la nuit: 3rd movement, Scarbo
- Histoires
naturelles
- Histoires
naturelles: no 1, Le paon
- Histoires
naturelles: no 2, Le grillon
- Histoires
naturelles: no 3, Le cygne
- Histoires
naturelles: no 4, Le martin-pêcheur
- Histoires
naturelles: no 5, La pintade
- Introduction
and Allegro for Harp, Flute, Clarinet and String Quartet
- Jeux
d'eau
- L'aurore
- L'enfant
et les sortilèges
- L'enfant
et les sortilèges: Arrière! Je réchauffe les
bons
- L'enfant
et les sortilèges: Five o'clock Fox-Trot
- L'enfant
et les sortilèges: Toi, le coeur de la rose
- L'heure
espagnole
- L'éventail
de Jeanne: Fanfare
- La
nuit
- La
parade
- La
valse
- La
valse: Excerpt(s)
- Le
tombeau de Couperin
- Le
tombeau de Couperin: Excerpt(s)
- Le
tombeau de Couperin: no 1, Prélude
- Le
tombeau de Couperin: no 3, Forlane
- Le
tombeau de Couperin: no 4, Rigadoun
- Le
tombeau de Couperin: no 5, Menuet
- Le
tombeau de Couperin: no 6, Toccata
- Les
bayadères
- Les
grands vents venus d'autre-mer
- Ma
mère l'oye
- Ma
mère l'oye: Excerpt(s)
- Ma
mère l'oye: Laideronnette, impératrice des pagodes
- Ma
mère l'oye: Le jardin féerique
- Ma
mère l'oye: Les entretiens de la belle et de la bête
- Ma
mère l'oye: Pavane de la belle au bois dormant
- Ma
mère l'oye: Petit Poucet
- Ma
mère l'oye: Suite
- Manteau
de fleurs
- Matinée
de Provence
- Menuet
antique
- Menuet
sur le nom d'Haydn
- Miroirs
- Miroirs:
Alborada del gracioso
- Miroirs:
Excerpt(s)
- Miroirs:
La vallée des cloches
- Miroirs:
Noctuelles
- Miroirs:
Oiseaux tristes
- Miroirs:
Une barque sur l'océan
- Mélodies
hébra•ques (2)
- Mélodies
hébra•ques (2): no 1, Kaddisch
- Mélodies
hébra•ques (2): no 2, L'énigme éternelle
- Mélodies
populaires grecques (5)
- Mélodies
populaires grecques (5): no 1, Chanson de la mariée
- Mélodies
populaires grecques (5): no 2, Là-bas, vers l'église
- Mélodies
populaires grecques (5): no 3, Quel galant m'est comparable
- Mélodies
populaires grecques (5): no 4, Chanson des cueilleuses
- Mélodies
populaires grecques (5): no 5, Tout gai!
- Noël
des jouets
- Ouverture
de féerie "Shéhérazade"
- Pavane
pour une infante défunte
- Pièce
en forme de Habañera
- Poèmes
(3) de Stéphane Mallarmé
- Poèmes
(3) de Stéphane Mallarmé: no 1, Soupir
- Prélude
for Piano in A minor
- Quartet
for Strings in F major
- Quartet
for Strings in F major: 2nd movement, Assez vif - Très
rythmé
- Quartet
for Strings in F major: 3rd movement, Très lent
- Rapsodie
espagnole
- Rapsodie
espagnole: 1st movement, Prélude à la nuit
- Rapsodie
espagnole: 3rd movement, Habanera
- Rapsodie
espagnole: 4th movement, Feria
- Rapsodie
espagnole: Excerpt(s)
- Ronsard
à son ‰me
- Rêves
- Sainte
- Shéhérazade
- Shéhérazade:
no 2, La flûte enchantée
- Si
morne
- Sites
auriculaires
- Sites
auriculaires: Entre cloches
- Sites
auriculaires: Habañera
- Sonata
Posthume for Violin and Piano
- Sonata
for Violin and Cello
- Sonata
for Violin and Piano in G major
- Sonata
for Violin and Piano in G major: Blues
- Sonatine
for Piano
- Sonatine
for Piano: 2nd movement
- Sonatine
for Piano: Menuet
- Sur
l'herbe
- Sérénade
grotesque
- Tout
est lumière
- Trio
for Piano, Violin and Cello in A minor
- Trio
for Piano, Violin and Cello in A minor: 1st movement
- Trio
for Piano, Violin and Cello in A minor: 4th mvt, Final
- Tripatos
- Tzigane
for Violin and Orchestra
- Tzigane
for Violin and Piano
- Un
grand sommeil noir
- Valses
nobles et sentimentales
- Valses
nobles et sentimentales: no 1
- Valses
nobles et sentimentales: no 6 in C major
- Valses
nobles et sentimentales: no 7 in A minor
- Vocalise
en forme de Habañera
- Épigrammes
(2) de Clément Marot
- Menuet
- Rapsodie
espagnole: 2nd movement, Malagueña
- Sonata
for Violin and Cello: Très vif
- Trio
for Pno, Vln and Cel in a: 3rd mvt, Passacaille
- Valses
nobles et sentimentales: no 4
Complete
List of Works and Recordings
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